DitoGear™ – Motion control kits for stop motion animation, live action filming, timelapse and automotive photography.

Spotlight #15
Tempus by Bartek Hlawka

In DitoGear™ Spotlight #15 we are sharing an inspiring project created by Bartek Hlawka. Check out the Evolution Multi-axis Motion Control Kit capabilities in the outdoor shooting.

 

And what’s your latest project? Share your interesting stories in the next spotlight.

Natalia: Bartek, could you describe the main influences that led you to create this project?
Bartek Hlawka: It was a visual and sound inspiration from my favorite movies and classic games like Another World, Flashback, what pushed me to making this short film.
Tempus is more like the sensual experience of a person lost or even trapped, running away the unknown in a foreign place where the time seems to run faster.

NB: How did you combine the real time and timelapse scenes together? Was the same rule used in the different scenes?

 

BH: Main idea was to make two types of shots. One with timelapses blended with live action and second with compositing a few live action shots in one frame. We always worked in the same workflow: a few rehearsals to set up the shot, record a clean plate in video mode with Canon 5D MK3 in ML RAW mode, live action shot and a timelapse shot in photo RAW at the end. Due the photo and video 5D MK3 raw capabilities compositing was quite easy but time consuming, because involved a lot of rotoscoping.

 

NB: Which scene was the most time-consuming from the production and postproduction point of view?

 

BH: Most challenging thing was location scouting and weather problems. We planned a few other maybe more attractive locations but it was impossible to shoot there with our budget.In postproduction most of the scenes involved the same amount of time, final shot was a little bit complicated because of a few layers of matte painting.

 

 

NB: What DitoGear™ equipment did you use in this production?

 

BH: We used the Evolution Multi-axis Motion Control Kit including the Evolution controller, the OmniSlider and the OmniHead in almost every shot. We also had the DitoGear™ LensDrive.

 

NB: Can you share your experience using DitoGear™ Evolution for this kind of work?

 

BH: Making a shot with camera motion in more than one axis which must be exact the same in video and timelapse mode is very hard. We could try to do this with standard controllers but with only 3 shooting days, 6 locations, more than 1000 kilometers driven and a small crew it would by almost impossible.

 

DitoGear™ Evolution allowed us to work fast and precise, moving efficiently from location to location.

 

 

NB: Could you tell us how the teleportation controller was created?

 

BH: As a Star Wars fan and “making of videos” addict I always wanted to try a few techniques from 70s and 80s movie making.
A lot of classic spaceships models were made in the same way: first you make a general shape of a model in a appropriate scale, then glue a small parts from different scale models from standard model kits like tanks, planes and others.

 

Final step is to add personal touches, paint and weather it. Weathering is an important part because it gives a viewer a “real object” feel. For example Millennium Falcon from Star Wars have a lot of parts from Panzer III tank, BMW R75 bike, 57′ Chevy Bel Air, Ferrari 312B and so on. In case of the teleportation controller it was a standard button housing with M60 A3 & M9 Bulldozer Kit tank and T80 tank, finished in matte black paint with details highlighted by dry-brush technique.

 

NB: How did you make the spaceship?

 

It was a matte painting, made by a talented polish concept artist Maciej Rebisz. I saw his work a few months ago and immediately wanted to hire him to all upcoming projects:) When I checked his portfolio it felt like he draw things like straight from my brain.
Our first cooperation was “TEMPUS” and I’m more than happy with the final result.

 

NB: Was the music created specifically for this project?

 

BH: Music was composed from scratch by Topcut – polish composer and DJ based in Berlin. For me music and sound design was always essential in making videos. We all know specific sounds from movie making history like breath of Darth Vader or “Jaws” music theme.

 

It was my first opportunity to work on my personal project with composer without continuous changes from client, which is everyday nightmare in normal work. Of course I could use a readymade music and sounds from stock but building it from scratch brought a lot more capabilities. Cooperation with Topcut brought a new quality to this project.

 

 

NB: Bartek, thank you for your time. It’s so fantastic to see nice results of using the DitoGear™ equipment. We wish you good luck with your future projects!

 

Interested in Evolution Multi-axis Motion Control Kit and December Sale?

 

Check DitoGear™ Evolution Multi-axis Motion Control Kits

 

 

Follow Bartek Hlawka and the video:

 

Bartek Hlawka – Website
Tempus – Time is relative
Making of Tempus
Mnono – Production & postproduction company
Maciej Rebisz – Concept artist, matte painting
Topcut – Music, sound design

 

Spotlight #14<br>Miniature History by Bartek Hlawka

Spotlight #14
Miniature History by Bartek Hlawka

Learn more about an interesting project, created in 4K resolution by Bartek Hlawka. ‘Miniature History’ contains a mixture of events that are largely memorable for humanity.

Spotlight #13<br>Warsaw Halla by Maciej Tomków

Spotlight #13
Warsaw Halla by Maciej Tomków

This time we are sharing an outstanding project by Maciej Tomków. Making of Warsaw Halla emphasizes a unique combination of blading and steadicam work.

Spotlight #12<br>Planet Chronos by Sebastian Opitz

Spotlight #12
Planet Chronos by Sebastian Opitz

This time we are sharing an outstanding time-lapse project by Sebastian Opitz. Don’t miss one of the world’s most impressive urban landscapes!

Spotlight #11<br>Exploring Timelapse by Mark Thyrring

Spotlight #11
Exploring Timelapse by Mark Thyrring

‘Exploring Timelapse’ is a project created by Mark Thyrring, aimed at exploring the time-lapse technique during the U.S. trip.

Spotlight #10<br>Proof by Jonathan Green

Spotlight #10
Proof by Jonathan Green

Jonathan Green will teach us how to capture a beautiful and ephemeral moment of our existence. Check out a Proof!

Spotlight #9<br>Pixel Heaven 2013 by Bartek Hlawka

Spotlight #9
Pixel Heaven 2013 by Bartek Hlawka

This time we will move back into the 80s and 90s in searching for the early days of computer gaming, comics and arcade parlors.